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As a young reporter, Jon Snow reported live on Margaret Thatcher becoming Britain's first female Prime Minister. Jon shares his personal recollections of the woman who dominated his early career.

In some ways, Barry Switzer and Brian Bosworth were made for each other. The Oklahoma coach and the linebacker he recruited to play for him were both out-sized personalities who delighted in thumbing their noses at the establishment. And in their three seasons together (1984-86), the unique father-son dynamic resulted in 31 wins and two Orange Bowl victories as Bosworth was awarded the first two Butkus Awards. But then Bosworth's alter ego: "The Boz," took over both their lives and ultimately destroyed their careers. In "Brian and The Boz," Bosworth looks back on the mistakes he made and passes on the lessons he learned to his son. It's a revealing portrait of a man who had and lost it all, and a trip back to a time when enough just wasn't enough.

Here's a hilarious comic interlude with Brian O'Brian, a clever, problem solving, good Samaritan who somehow manages to turn everyday tasks into major comedy mishaps.

Based on books by Erma Bombeck, Maggie Weston is a housewife living with husband Len and sons Mark and Bruce outside of Dayton, Ohio. There is a third son, LJ, who is never seen because he's "always in the bathroom." Rounding out the main cast are Maggie's friends.

A supernatural, quirky comedy about Maggie and her recently deceased friend, Adam. Only Maggie and can see and hear Adam, which can create some pretty awkward situations for Maggie, and Maggie's a girl who needs no help with awkward.

Following the death of her husband, Maggie Webb finds herself left with numerous debts and back taxes. Her wealthy sister-in-law, Diane, hires her to her London-based PR firm.

East-End housewife Maggie Proud (Vanessa Redgrave) has two demanding children, a selfish mother-in-law, and an amiable but uncomprehending husband in Norman (Joss Ackland). When Christopher Shearway (Jonathan Cecil), the welfare officer at the factory where Norman Proud works, begins to take Maggie to theatres and art galleries as a “social experiment” it works too well.

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